43 කථාංගය | Thenupa Thiyanada

ප්‍රස්තාවනාව | Introduction

තණමල්විල කොල්ලෙක් | 43 කථාංගය

තේමා ගීතය : රසවින්දන උත්ප්‍රේරකය

කියවන ගමන් අහන්න

තණමල්විල කොල්ලෙක් - බොඳ වී ගිය වර්ණයක | තේමා ගීතය

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Thanamalvila Kollek (TV Series 2020– ) ⭐ 9.2 | Family

කතෘ | Author

https://www.instagram.com/the_nuper/

https://web.facebook.com/th3nup4?_rdc=1&_rdr#

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: විශ්ලේෂණය :

“පන්සල් චිත්‍ර”

#

Time Stamp (@03:27)

https://www.youtube.com/watch?t=207&v=DEjJhZIwOe0&feature=youtu.be

Those paintings on temple walls are more than decoration. They are visual scriptures, narrating stories of virtue, karma and human frailty. Invoking “පන්සල් චිත්‍ර" in a conversation is a nod to the weight of ancestral tradition. This reminds the viewer of a deep connection to culture, heritage and moral story telling.

These “පන්සල් චිත්‍ර" are simultaneously eternal and fragile. They are meant to last centuries but fade overtime. This symbolize something or someone beautiful, yet vulnerable which is destined to change or fade. This suggests the character’s life and relationships are like these paintings. This symbolizes the relationships are vibrant stories, but yet got in between the bounds of time and meant to change.

Temple arts are often created by local, self taught village artists who are humble, spiritual and deeply rooted in rural life. They reflect ordinary people’s devotion and a raw unpolished beauty that belongs to the soil and the soul of the village

In the particular word “පන්සල් චිත්‍ර", this becomes a mirror for Deeptha himself as he is unrefined by urban standards but emotionally rich. He still carries tradition, sincerity and stillness like the ‘Temple walls’

When this comes to Maria, she is more exposed to modern, gallery style art and western aesthetics. This represents a social environment that values perfection over purity. When Maria admired “පන්සල් චිත්‍ර", maybe she’s subconsciously admiring Deeptha, whom like those paintings. Beautiful, but doesn’t belongs of the walls on her future

“පන්සල් චිත්‍ර" becomes a metaphor for Deeptha himself. Something Maria admires, even cherishes. But ultimately sees as a part of a different world. “A WORLD SHE CAN VISIT, FEEL CLOSE TO… BUT NOT STAY IN”

Deeptha is like a temple artist. He says nothing. He just listens as he confessed previously as “මම හොඳ සවන්දෙන්නෙක්". And QUIETLY, HIDING HIS SORROW INSIDE HIS OWN BLANKET, LETS HER WALK AWAY…

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“Richard Gabriel”

Richard Gabriel aka Richard Don Gabriel was a renowned Sri Lankan painter, one of the most celebrated modern artists in the island’s history and his work is well known for modern forms infused with spiritual and traditional themes and blending of western technique with eastern soul. As examples, ‘using warm colors that could only be seen in temple arts by the time that were never used by the western artists ‘ and also not adding any sort of footwear to the characters he painted’. His arts are subtle, full of grace and has an emotional Depth as well

Just like Gabriel’s paintings brought modern structure to traditional stories, Maria stands at the intersection of village innocence which is symbolized by Deeptha and urban polish which is symbolized by the attitudes of her and her family. She appreciates පන්සල් චිත්‍ර, but speaks of Gabriels arts in the same breath. That makes the fact obvious which she is a bridge that connects two aspects just like Richard Gabriel.

Richard Gabriel’s work is famous for quietness, delicate expressions and silent sadness which are exact qualities depicted by Maria’s character. Maria, too, is a silent sufferer

දීප්ත යනු පන්සල් චිත්‍රයකි. He’s raw, honest and sacred. මරියා යනු රිචඩ් ගේබ්‍රියල් ගේ අතින් නිමවූ චිත්‍රයකි. She is refined, gallery worthy and admired by many. But she’s obviously not meant for Deeptha’s wall. Deeptha’s expressions at the moment perfectly depicts that he can understand her. And just like people admire Richard Gabriel’s work in silence, Deeptha must admire Maria from afar…

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“මම මගේ ආදරවන්තයට ආත්මෙන්ම දිවුරන්න පොරොන්දු වුනේ 'අම්මලට' මෙතන”

Timestamp (@05:23)

https://youtu.be/DEjJhZIwOe0?t=323

At this point she is confessing a vow she does in order to complete her life as a bride but she quietly sneaks in the word "අම්මලට" in the dialogue which a lot of listeners might miss but some "හොද සවන්දෙන්නන්" might hear

In the word "අම්මලට", a lot of power lies. This word shows that Maria's love for Deeptha was overridden by social obligation. Her use of the word "අම්මලට" implies that she was PRESSURED but not PERSUADED. She OBEYED but didn’t AGREE and she was COMPILED but she never CHOSE. this word might be a TINY plot twist for the story but for a "හොද සවන්දේන්නෙක්" this single word can tell a whole story. It's like "i had to kill something sacred inside me... BECAUSE OF WHAF THEY DEMAMDED"

By this phrase i can get into a conclusion that she's deflecting blame from herself and simultaneously begging Deeptha to understand her helplessness saying "I couldn’t fight for you, not because I never loved you, but because i never was allowed to. Maria is a poor soul screaming with silence.…

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**තණමල්විල කොල්ලෙක් - බොඳ වී ගිය වර්ණයක |

තේමා ගීතය**